MAM: Maternal Art Magazine, Issue One: "Stay At Home"

Announcing ‘MAM': Maternal Art Magazine’, Issue One: "Stay At Home"

MAM Issue One, ‘Stay At Home’, Cover image by Dawn Yow, ‘Little Hands‘ (2019).

MAM Issue One, ‘Stay At Home’, Cover image by Dawn Yow, ‘Little Hands‘ (2019).

MAM, Maternal Art Magazine is a new art magazine focusing on artists from around the world producing work about the maternal. The first issue, Stay At Home due out in June 2020 is a response by 20 artists to their experiences of working at home during the COVID-19 pandemic. The magazine aims to support artists through this challenging time as well as raising money for Women’s AidStay At Home has been edited by Helen Sargeant, an artist and academic based in Todmorden, Yorkshire, UK. 

MAM has been carefully curated to reflect a diverse range of responses and experiences by both established and emerging artists. Contributions include embroidered photographs by Jessa Fairbrother, paintings by Shani Rhys James and Jessica Timmis, collage work by Lauren McLaughlin, an interview with Paula Chambers who makes installations and sculptures about disrupted domesticity, a series of self-portraits, PRONIA by performance artist Nicola HunterKnitted Houses of Crime by Freddie Robins and exquisite paper-cuttings of matriarchs by Pippa Dyriaga.  In photographs by Dawn Yow we see her children captured as lone figures entranced and lost within the emptiness of the  landscape that surrounds them. There is an interview with Helen Knowles founder of the Birth Rites Collection, meticulously staged domestic photographs by Sian Bonnell and emotionally charged responses; such as Laura Godfrey Isaacs powerful diary drawings about her mastectomy. Penny Davis’ drawings depicting her intense experiences of solo parenting and Barbara Philipp visual journal intimately portraying the feelings of confinement, loss of physical connection and grief felt after the death of her father. Amy Dignam has contributed colourful and playful drawings made in the bath, her place of solitude during lockdown and Rachel Fallon explores ideas of reverse parenting and care for her elderly parents. Megan Wynne’s photographs are a riot of fun and see her reenacting birth with her children as willing collaborators. Lena Simic takes a walk in her local park in Everton and reflects upon feelings of sadness, loneliness, and climate change and wonders what the future may hold for her, her family and the planet. 

"‘Stay At Home’ is a response to the pandemic, the interruption, and anxiety that each day we are all having to live with. MAM was born initially as a way to distract me from looking too often at the news and becoming depressed, a way to be creative, collaborate, communicate and engage with other artists and mothers during this crisis. MAM’s wish is that this first issue of the magazine will provide its readers with a small moment of joyduring this international crisis. MAM: Stay At Home, has been produced at the kitchen table  in-between the on-going drama of daily family life, the caring and coaxing of children to do their schoolwork, the cuddling of cats, cooking, clearing up and feeding the washing machine with yet more laundry.”

- Helen Sargeant, Creative Director at Maternal Art and Editor of Maternal Art Magazine


List of all contributors: Sian Bonnell,  Paula Chambers,  Penny Davis,  Amy Dignam, Pippa Dyriaga, Jessa Fairbrother, Rachel Fallon, Jodie Hawkes, Nicola Hunter, Laura Godfrey Isaacs, Shani Rhys James, Paula McCloskey, Lauren McLaughlin, Martina Mullaney, Barbara Philipp, Freddie Robins, Lena Simic, Jessica Timmis, Megan Wynne, Dawn Yow.

To order: The Maternal Art project website.

August 2019 / 'What and Where is Home?: A Mother's Perspective' by Ukhona Ntsali Mlandu, South Africa

ART, RESEARCH, THEORY: In the August column we are pleased to feature Ukhona Ntsali Mlandu: a performance artist, curator, writer, arts administrator and a single, queer mother of two, now living in Goshen village in the Eastern Cape Province of South Africa. Her move out of Cape Town was necessitated by an exhaustion of operating in an arts context that had no measures in place to accommodate her as a working mother. Currently, Ukhona navigates life between the Goshen village and various cities with her children aged 9 and 14 years, in order to sustain and provide for her family. One of her more recent projects is Makwande.republic, a retreat and a residency in her ancestral home in the Goshen village. ‘Makwande Republic’ is centred around giving space to the creative process and re-imagination of what ideas of productivity may look like and with a particular interest in supporting families in whatever format they present. In her column for m/other voices, Ukhona reflects on the notion of ‘home’ and the many, complex meanings that it both carries and conceals for her.

Ukhona Ntsali Mlandu, South Africa

Ukhona Ntsali Mlandu, South Africa

Ukhona Ntsali Mlandu is a performance artist, curator, writer, arts administrator and a single, queer mother of two, living in Goshen village in the Eastern Cape Province of South Africa. One of her more recent projects is Makwande.republic, a retreat and a residency in her ancestral home in the Goshen village. ‘Makwande Republic’ is centred around giving space to the creative process and re-imagination of what ideas of productivity may look like and with a particular interest in supporting families in whatever format they present.

See here to read ‘What and Where is Home” : A Mother’s Perspective.’ by Ukhona Ntsali Mlandu.

For queries on how to submit work for the monthly columns, email info@mothervoices.org

To subscribe to the monthly newsletter



May 2019 / 'Such a Long Journey' by Mamta Chitnis Sen, India

ART, RESEARCH, THEORY: In the May column we are pleased to feature Mamta Chitnis Sen, an artist, writer and mother from India, whose paintings most often focus on the lives of women in rural India. In this column Mamta tells about her experiences of being an artist-mother in India, painting women farmers and how her recent art residency to the Baltics has effected her perspective on art and life. The works displayed here were made during her recent participation in an art residency in Lithuania, hosted by Sanskritik Mandala.

Mamta Chitnis Sen, India.

Mamta Chitnis Sen, India.

Mamta Chitnis Sen studied at Sir J J School of Art and is also their Hon-Researcher, documenting the history of the institute right back to its founding in 1857. A journalist for over two decades, she has worked with publications in Mumbai, reporting on crime, politics, religion, art, community, human interest, and news. She was Executive Editor of Dignity Dialogue, and presently handles Media Advocacy for Child Rights and You-CRY – an NGO for underprivileged children. Mamta is involved in various community outreach  programs and is the Curator of Bihar Foundation’s art gallery - Zierou, organising exhibitions, workshops and training programmes aimed at promoting art and culture. In 2011, Mamta founded Canvas Clan, a congregation of painters of various ages, and curated two shows under the banners: Random Strokes and Resurrection Bihar. Her art has been published in journals and anthologies such as Studio To Studio—The Artists’ Working Theory & Practice and Les Femmes Folles: The Women 2016.  Women have been an integral part of Mamta’s work both in writing and in making art. In addition she has hosted workshops for women and has authored a paper on these experiences titled ‘Evolving Role of Women in Political Parties’.

See here to read ‘Such A Long Journey: An art residency in the Baltics that shaped up an Indian mother artist's perspective on life’ by Mamta Chitnis Sen

For queries on how to submit work for the monthly columns, email info@mothervoices.org

To subscribe to the monthly newsletter

Welcome Rebekah!

Delighted to introduce you to m/other voices newest member, Rebekah Thompson. During the coming period, Rebekah will be the point of contact for the Legacy of Love -community involvement project, as well as a helping hand with the m/other voices columns and other projects.

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“My name is Rebekah, I am from the UK and moved to the Netherlands in the summer of 2018 to begin my Masters in Gender Studies. I am working as a nanny here, and in my spare time I like to get involved in community causes that are important to me. In my free time I enjoy photography and art, exploring the nature and canals around my new home, and discovering new vegan recipes. I am also an aspiring doula, and am currently completing my postpartum doula training. It is my dream to some day work as a doula for an intersectional community, with the aim of celebrating families, nurturing and empowering all those who birth, and claiming back birth. I will be an intern with m/other voices as part of my masters programme, mainly focusing on the Legacy of Love community involvement, as well as the m/other voices columns and other projects. I will be one of the points of contact for m/other voices, and can be reached at rebekah@mothervoices.org. I am so honoured and excited to be involved in this wonderful work. “

-Rebekah

ART, RESEARCH, THEORY


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Taking Care, by Rachel Epp Buller
18.11 - 23.11. 2018 / 12:00- 17:00 / Upominki, Rotterdam.

Dear friend, by Rachel Epp Buller
23.11. 2018 / 19:00 - 20:00 / Upominki, Rotterdam.

From the 18th of November to the 23rd of November, between the hours of 12:00-17:00 the artist, scholar, printmaker and mother Rachel Epp Buller can be visited at Upominki, Rotterdam, where as the artist in residence she will embroider words in a durational performance devoted to care and listening. The artist welcomes community members to join her in embroidering, crocheting, knitting, or just in conversation.
Epp Buller’s latest work Taking Care explores letter-writing as an act of care and a bond of human connection that is directly connected to slowing down, taking time to take care, with our words and for each other. In Taking Care, the artist invites participants to write her a letter that recounts an act of care, large or small; she offers to receive these words, to intimately listen, and to embroider the words to make publicly visible these often unseen labors.
The residency period will end in the performance of ‘Dear friend’, a performative reading of letters across time, written by Rachel Epp Buller and performed together with the artists Deirdre M. Donoghue, Barbara Phillip, and Weronika Zielinska-Klein. This performative reading of letters and epistolary texts considers how feminist maternal relations of care and attunement in the present, and a willingness to listen to voices from the past, might help us to radically reorient our ways of relational being for the future. Doors will open at 18:00, the performance commences at 19:00 and lasts for 1 hour. Before the performance there will be soup served and afterwards the bar will be open.

Please reserve in advance via: info@upominki.nl


Dr. Rachel Epp Buller, a feminist art historian, printmaker, book artist, professor and mother of three, whose art and scholarship often speak to these intersections. Her writings on art and the maternal include Reconciling Art and Mothering (Ashgate/Routledge) and the forthcoming Inappropriate Bodies: Art, Design, and Maternity (Demeter). Her current creative work explores letter-writing as a radical act of care and listening across time. Her curatorial projects often involve collaboration, across disciplines and across countries. She is a Fulbright Scholar, a board member of the National Women’s Caucus for Art (US), a regional coordinator of the international Feminist Art Project, and current Associate Professor of Visual Arts and Design at Bethel College (US).

ART, RESEARCH, THEORY

In collaboration with Arnhem Museum and the BEAR ('Base for Experiment, Art & Research') lectures, m/other voices presents:  'A Map Against The World' by the Chinese artist  Huang Jing Yuan. 

See here for event details.

Jing in her Studio in Beijing.

Jing in her Studio in Beijing.

The last guest speaker of the BEAR lecture series is the Chinese artist Huang Jing Yuan (1979, Guangxi). She is a participant of 'Theater 44 and 'On Practice', as well as the initiator of "Writing • Mother", an on-going communal writing project with the ambition of discovering the potential of a feminist critique through the lens of family life.
Huang Jing Yuan was born in 1979, of Zhuang minority descent. She received a BFA from Concordia University (Montreal) in 2005 and a MFA from the School of the Art Institute of Chicago in 2008. Since her return to China in 2010, her work has focused on the contradictions within Chinese society, and disconnections between China and the world. Two major series were produced during this period: the "Confucius City Project" and "I Am Your Agency. Since 2014, concerned over the diminution of a civil society under the Xi administration, Huang has worked with the idea of socialist realism, attempting to subvert the key mechanics of this historically complex genre. Notable projects from this period of work include "Civility Trilogy," "Invitation of Models," and "Mao's Love Letter." Since 2017, her exhibitions and residencies have focused on exploring the conflicted inner strength of people in the provincial setting. Her first film “Solutions” is made during this period. 

Please make sure to be on time as the auditorium doors will be closed after the lecture has commenced.

For reservations send a mail to: info@mothervoices.org

ART, RESEARCH, THEORY

'THE MOTHERNISTS II: WHO CARES FOR THE 21ST CENTURY?'  
RECORDINGS OF ARE AVAILABLE. 

The Mothernists II: Who Cares for The 21st Century? recordings from The Royal Danish Academy of Fine Art and the Astrid Noack's Ateliers, Copenhagen 12-15 October, 2017 are now available! By making these recordings publicly available on the m/other voices website, the foundation hopes to disseminate and share maternal thought and models of affirmative creative action with larger audiences, present and future. Kind Thank's to all the participants for their generous, committed and engaged contributions, and their immediate willingness to make the recordings available to all.  

To view recordings please see here. 

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ART, RESEARCH, TEORY

'A Conversation With My Mother'
Pirkko and Deirdre M. Donoghue

From left to right: Deirdre M. Donoghue and Pirkko Donoghue, Lille Harreskov, 2017.

From left to right: Deirdre M. Donoghue and Pirkko Donoghue, Lille Harreskov, 2017.

On Sunday the 15th of October, 2017, the last day of 'The Mothernists II: Who Cares for the 21st Century?' a forest walk was organised to visit 'Big Mama', one of the largest groove stones in the forest of Lille Hareskov, just outside of Copenhagen. Today, most people probably understand the name ‘Hareskov’ as 'the wood of the hares', but when spelled as ‘Harreskov’ it means something quite different as it now becomes ‘the wood of the stones’. It is here that the unusual stones with grooves cut across them can be found. As part of the walk, the very last presentation of 'The Mothernists II' took place by the 'Big Mama' in the form of a conversation between Deirdre  M. Donoghue and Pirkko Donoghue. Their conversation titled as 'A Conversation With My Mother' is a talk about feminism, environmentalism, buddhism and the passage of time. 

To Read 'A Conversation With My Mother', please see here.

ART, RESEARCH, THEORY

ART, RESEARCH, THEORY: In November 2016 the column space was passed on to Shira Richter, a mother, artist, activist, film maker and educator from Israel, to curate three editions of the m/other voices monthly columns on the topic of the 'maternal' and the 'politics of everyday life' from her particular, situated, feminist maternal perspective of mothering twin sons in Israel. In the first edition of 'Messages from Israel', Richter brought us her interview with Dr. Andrea O'Reilly, entitled 'Motherhood; a Liability or Crime?' In the second edition, on Valentines Day 2017, she brought us her continued and ongoing investigation into patriarchal structures and mother work, in her article  Mary - The Mother Whose Son Preached Feminine Values  and the accompanying video interview with Dr. James F. Gilligan. In the third edition, Shira Richter introduces us to the world and work of Rela Mazali, a feminist artist, activist, scholar, mother, daughter and grandmother living in Israel. 

m/other voices thank's Shira Richter for her tireless work of re-imagining the world from a feminist maternal perspective and Rela Mazali for her graceful and generous contribution to the ongoing conversation unfolding on the virtual pages of the m/other voices foundation. 

 

Rela Mazali, image courtesy of Shira Richter.

Rela Mazali, image courtesy of Shira Richter.

Rela Mazali is a bi-lingual author who writes in both English ad Hebrew, an independent scholar and a feminist anti-militarist activist from Israel; Active against Israel's occupation since 1980, one of the founders of the New Profile movement to demilitarise society and state in Israel (in 1998) and of the Coalition of Women for peace (in 2000), a member of the Jury of Conscience of the World Tribunal on Iraq in 2005, Co-founder (in 2010) and (still) Coordinator of the feminist disarmament project, Gun Free Kitchen Tables (GFKT), she is also the lead author of GFKT's new report: 'Loose guns: Israeli controlled small arms in the civil sphere' (January 2017). Rela's latest literary work is: 'Home Archaeology' (In Hebrew, 2011). Previous books: 'Maps of Women's Goings and Stayings (in English, 2001), WhaNever (in Hebrew, 1987). Among her recently published essay tales and papers: 'Hospital Archive' in Bad Mothers: Regulations, representations and Resistance, Michelle Hughes Miller, Tamar Hager and Rebecca Jaremko Bromwich (eds.), Demeter Press, (2017); 'Speaking of Guns: Launching gun control discourse and disarming security guards in a militarised society', International Feminist Journal of Politics, 2016 Vol. 18, No. 2, 292-304; 'Complicit Dissent, Dissenting Complicity: A story and its Context' in Apartheid in Palestine: Hard Laws and Harder Experiences, Ghana Ageel ed., University of Alberta Press, 2016, pp. 128-148.

See here to read Motherlands by Rela Mazali.

For queries on how to submit work for the monthly columns, email info@mothervoices.org

To subscribe to the monthly newsletter

ART, RESEARCH, THEORY

Field Trip #16 with Lena Simic

The Institute for the Art and Practice of Dissent at Home  

The Institute for the Art and Practice of Dissent at Home  

Lena Simic is a performance practitioner, scholar and pedagogue, born in Dubrovnik, Croatia, living in Liverpool, UK. She is a co-organizer of The Institute for the Art and Practice of Dissent at Home and Reader in Drama at Edge Hill University, UK. 
The Institute for the Art and Practice of Dissent at Home  is an art activist initiative run from her home together with Gary Anderson and their four children Neal, Gabriel, Sid and James.
Together with her umbrella arts project Maternal Matters which collects a number of maternal video artworks and performances, The Institute for the Art and Practice of Dissent at Home  has functioned as Lena’s methodological frame and artwork for her creative processes and outputs. Her autobiographical performance practice is informed by feminist discourse and its relation to everyday lived experience, memory and fantasy. Recent artist publications include: 4 Boys [for Beuys] (2016), Five: 2008 – 2012 (2014), a book documenting the first five years of the Institute for the Art and Practice of Dissent at Home), The Mums and Babies Ensemble: A Manual(2015), Foundations with Free University of Liverpool (2012), Blood & Soil: we were always meant to meet… performance document, with Jennifer Verson (2011) and Maternal Matters and Other Sisters Artist Catalogue (2009). 

On the 23rd of November, during a m/other voices 'Field Trip' hosted by Upominki,  Lena will both introduce us to her practice within the 'Institute for Art and Practice of Dissent at Home’ and narrate this part of her transdisciplinary practice through a contextual framing of ‘maternal practice’. 
 

Location:
Sint Mariastraat
3014 SR, Rotterdam
The Netherlands 

PLEASE RESERVE: info@mothervoices.org
Spaces are limited. 

See here for more information on the Field Trips and their related inquiry.

THE MOTHERNISTS II: WHO CARES FOR THE 21st CENTURY?

THE MOTHERNISTS II: WHO CARES FOR THE 21st CENTURY? 
12/13/14/15 October, 2017


October 12-15th, ANAFORUM presents: 'The Mothernists II: Who Cares for the 21st Century?', an international symposium on care work and intergenerational feminist knowledge-sharing held in conjunction with the exhibition 'Mothernizing ANA: Who Cares for the Future?' The symposium is co-organized by Lise Haller Baggesen and Deirdre M. Donoghue and is co-hosted by Astrid Noacks Ateliers and the The Royal Danish Academy of Fine Arts

'The Mothernists II: Who Cares for the 21st Century?' is the second iteration of 'The Mothernists', a transatlantic summit / art exhibition held in The Netherlands in June 2015, which brought together the work and thought of practicing international artists and art historians for the cross pollination of art, philosophy, and maternal theory, practice, and experience. 

Participating scholars, artists, mothers, activists in 'The Mothernists II'
Irina Aristakhova (USA), Lisa Baraitser (UK), Yvette Brackman (DK), Rosemarie Buikema (NL), Myrel Chernik (USA), Chloé Clevenger (USA), Ada Corsi (DK), Christa Donner (USA), Deirdre M. Donoghue (NL), Pirkko Donoghue (FIN), Kirsten Dufour (DK), Rachel Epp Buller, (USA), Arahmaiani Feisal (IDN), Dyana Gravina (UK), Lise Haller Baggesen (USA), Jubsi Baggesen (DK), Courtney Kessel (USA), Tina Kinsella (IRE), Natalie Loveless (CAN), Irene Lusztig (USA), Nanna Lysholt Hansen (DK), Elena Marchevska (UK), Irene Pérez (ESP), Micah Perks (USA), Barbara Philipp (NL), Shira Richter (ISR), Lena Simic (UK), Emily Underwood-Lee (USA), Faith Wilding (USA), Sheena Wilson (CAN), Weronika Zielinska-Klein (NL), Danielle C. Wyckoff (USA), DRANG (DK). 

With contributions from:  
Bracha L. Ettinger (ISR) and Silvia Federici (USA).

Full program will be available shortly. Recordings of the presentations will be made public on the m/other voices website after the summit.

'The Mothernists II' has been made possible by support from Astrid Noacks Ateliers, Copenhagen (DK), 
Centrum Beeldende Kunsten, Rotterdam (NL) and The Royal Danish Academy of Fine Art, Copenhagen, (DK).

 

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THE MOTHERNISTS II MANIFESTA
Lise Haller Baggesen & Deirdre M. Donoghue

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*The Mothernists is the brain child of Deirdre M. Donoghue (m/othervoices foundation for art, research, theory, dialogue & community inmvolvement) and Lise Haller Baggesen (Mothernism) and it combines their two long running projects concerning artistic and academic research into maternal (aest)ethics.

 

 

ART, RESEARCH, THEORY

'MOTHERS IN ART - DYNAMIC SHIFTS'

Sunday, May 21, 2017
12:00 - 14:00

Goleb Project Space
Burgermeester de Vlugtlaan 125
1063 BJ Amsterdam
The Netherlands

This event is child friendly and free of charge.

Dyana Gravina, Procreate ProjectPhoto by Doris HimmelbauerSisterhood Kimono by Diane Goldie

Dyana Gravina, Procreate Project
Photo by Doris Himmelbauer
Sisterhood Kimono by Diane Goldie

m/other voices foundation invites you for the talk 'Mothers in Art - Dynamic Shifts' together with Dyana Gravina, founder of Procreate Project and the Mother House in London and Csilla Klenyánszki, who initiated at the Mothers in Arts Residency ( MA residency) program in Amsterdam. Both Dyana and Csilla will give further information about their projects, their experiences and future plans. After the discussion moderated by m/other voices, there will be a screening of The Mother House documentary.

Dyana Gravina is conceptual artist, producer and founder of the Procreate Project, a platform born in response to the urge of creating a new model of art organization that would come in support of women artists during pregnancy and motherhood, highlighting the positivity and creating a new awareness around motherhood and dynamic shifts in society and creative industries. One of its most recent initiative is called the 'Mother House', the first flexible artist studio with integrated childcare, where children are invited into the workspace.

Csilla Klenyanszki is a visual artist who lives and works in Amsterdam. She founded the Mothers in Arts Residency. The idea of this project comes from my her experiences, which are based on the first year of motherhood, the social and the daycare situation in the Netherlands & my particular situation as an emigrant artist, without a family network. She is currently running the 'MA residency' program, which invites emerging women artists to work in the studio when their child is between 3 months to 2 years old. The residency is designed around the childcare policies of the Netherlands: 3 months is the given maternity leave and 2 years is the minimum age, when children are provided with 2 days a week subsidized daycare.

 

ART, RESEARCH, THEORY

THE MOTHERHOOD ARCHIVES by Irene Lusztig

Film screening of The Motherhood Archives by Irene Lusztig, followed by a discussion between Lusztig and Deirdre M. Donoghue and an open Q&A. 

To see the trailer

Sunday, March 19, 2017 / 2:00pm  4:00pm
Goleb Project Space
Burgermeester de Vlugtlaan 125
1063 BJ Amsterdam
The Netherlands

The screening takes place during a day of performances at the Mothers in Arts Residency program, a project initiated by Csilla Klenyanszki, hosted by Goleb and supported by The Mondriaan Fonds.  For more information on the whole day's program and participating artists, please see here.   

This event is baby/children/partners friendly. There will be a playground and a quiet room with a changing table next to the space; partners are invited to take care of the children.

Reservation required by the 16th of March via: info@mothervoices.org


THE MOTHERHOOD ARCHIVES
Archival montage, science fiction, and an homage to 70s feminist filmmaking are woven together to form this haunting and lyrical essay film excavating hidden histories of childbirth in the twentieth century. Assembling an extraordinary archive of over 100 educational, industrial, and medical training films (including newly rediscovered Soviet and French childbirth films) THE MOTHERHOOD ARCHIVES (2013, 91 min.) inventively untangles the complex, sometimes surprising genealogies of maternal education. From the first use of anesthetic ether in the 19th century to the postmodern 21st century hospital birthing suite, THE MOTHERHOOD ARCHIVES charts a fascinating course through the cultural history of pain, the history of obstetric anesthesia, and the little-known international history of the natural childbirth and Lamaze movements. Revealing a world of intensive training, rehearsal, and performative preparation for the unknown that is ultimately incommensurate with experience, THE MOTHERHOOD ARCHIVES is a meditation on the maternal body as a site of institutional control, ideological surveillance, medical knowledge, and nationalist state intervention. Finally, the film works as a feminist recuperation of obsolete maternal histories, as a visual analysis of the persistent disciplining of the pregnant / laboring body, and as a new, contemporary counter-archive of women’s experiential narratives.


IRENE LUSZTIG is a filmmaker, visual artist, archival researcher, and amateur seamstress. Her film and video work mines old images and technologies for new meanings in order to reframe, recuperate, and reanimate forgotten and neglected histories.  Often beginning with rigorous research in archives, her work brings historical materials into conversation with the present day, inviting the viewer to explore historical spaces as a way of contemplating larger questions of politics, ideology, and the production of personal, collective, and national memories. 
Born in England to Romanian parents, Irene grew up in Boston and has lived in France, Italy, Romania, China, and Russia. She received her BA in filmmaking and Chinese studies from Harvard and completed her MFA in film and video at Bard College. Her debut feature film, Reconstruction (2001) was recognized with a Boston Society of Film Critics Discovery award and won best documentary at the New England Film Festival. Her work has been screened around the world, including at MoMA, Museum of Fine Arts Boston, Anthology Film Archives, Pacific Film Archive, Flaherty NYC, IDFA Amsterdam, and on television in the US, Europe, and Taiwan. She has received grants from the Massachusetts Foundation for the Humanities, Massachusetts Cultural Council, LEF Foundation, New York State Council for the Arts, and Sustainable Arts Foundation and has been awarded fellowships at the MacDowell Colony, the Flaherty Film Seminar, the Radcliffe Institute for Advanced Study, and Harvard’s Film Study Center. She is the 2016-17 recipient of a Rydell Visual Arts Fellowship and a Fulbright Fellowship. She teaches filmmaking at UC Santa Cruz where she is Associate Professor of Film and Digital Media; she lives in the Santa Cruz Mountains. 

DEIRDRE M. DONOGHUE is a visual and performance artist, director of m/other voices foundation for art, research, theory / dialogue / community involvement, PhD researcher at The Institute for Cultural Inquiry, Utrecht University, a mother and a birth doula.

 

ART, RESEARCH, THEORY

ART, RESEARCH, THEORY: In November 2016 the column space was passed on to Shira Richter, a mother, artist, activist, film maker and educator from Israel, to curate three editions of the m/other voices monthly columns on the topic of the 'maternal' and the 'politics of everyday life' from her particular, situated, feminist maternal perspective of mothering twin sons in Israel. In the first edition of 'Messages from Israel', Richter brought us her interview with Dr. Andrea O'Reilly, entitled 'Motherhood; a Liability or Crime?' In this second edition brought to you on Valentines Day 2017, Richter continues her ongoing investigation into patriarchal structures and mother work, this time turning her maternal gaze onto male violence and the "cultural gendered restrictions forced upon the men I love"   

m/other voices thank's Shira Richter for her tireless work of re-imagining the world from a feminist maternal perspective and Dr. James F. Gilligan for his graceful and generous contribution to the ongoing conversation unfolding on the virtual pages of the m/other voices foundation. 

Dr. James Gilligan and Shira Richter

Dr. James Gilligan and Shira Richter

See here to read the second edition of 'Messages from Israel'.

For queries on how to submit work for the monthly columns, email info@mothervoices.org

To subscribe to the monthly newsletter

ART, RESEARCH, THEORY

Field Trip # 15 with Kirsten Schötteldreier 

Kirsten Schötteldreier is a singer, voice and performance coach, theatre-maker and 'energy trainer’. 

Kirsten Schötteldreier is a singer, voice and performance coach, theatre-maker and 'energy trainer’. 

“I started by singing in jazz formations, rock bands and as a studio singer. In my personal search for ever deeper musical layers, I began to study singing and direction at the Folkwang Conservatory in Essen, Germany. Being interested in more art forms than just opera, I chose to study in Essen where Pina Bausch was teaching young dancers, and were actors, singers and dancers were all being trained under the same roof. Moving to The Netherlands I sang more and more in modern pieces, including opera on location and in the theatre. I also participated in dance performances and started to make my own pieces like 'Lost Land', 'Verdriet', 'Closed' and 'Grenzgebiete'. These are pieces mainly about loosing home-ground due to war, political changes and globalization. After a period of health issues that affected my voice, I began attending Chi Kung classes in Malaysia, Germany and Russia. Chi Kung has become an important part of the voice training that I now offer and I use it with singers all over Europe in order to improve and stabilize a ‘high level’ and more authentic way of singing. In the last years I advice and work more and more in Opera, Theatre and Dansproductions for houses like o.a.Staatsoper Wien München , Berlin , Paris , Theater an der Wien ( Coach Young Ensemble )  &  Bayreuther Festspiele to create a good balance between the vocal, scenic and musical needs of each production. ” 

Location:
Broodplaats X&Y
Spaarndammerstraat 30
1013 Amsterdam

Getting there:
From Amsterdam Central Station, a five minute bus ride: Bus no:18, in the direction of Slotervaart. Get out at Haarlemmerplein from where it takes another 5 minute walk to get to Broodplaats X&Y. Alternatively: Tram no:3 from city centre. Get out at Haarlemmerplein.
 

PLEASE RESERVE: info@mothervoices.org
Spaces are limited. 

See here for more information on the Field Trips and their related inquiry.

ART, RESEARCH, THEORY

Sunday, January 29th, 2017
3:00pm - 6:00pm

During The International Film Festival Rotterdam: IFFR 2017, m/other voices holds a Field Trip with Kristy Guevara-Flanagan, to talk and share creative insights brought forth by her practices as a mother and a film maker. As part of the Field Trip we will be screening her work Mothertime. (For more information scroll below.)

Kristy Guevara-Flanagan teaches courses on documentary filmmaking at the School of Theater, Film and Television. Her first feature-length film was an acclaimed documentary covering four years in the lives of four adolescent girls. Going on 13 was an official selection of Tribeca, Silverdocs, and many other film festivals worldwide. It received funding from ITVS and was broadcast on public television in 2009. Guevara-Flanagan has also produced and directed several short films, including El Corrido de Cecilia Rios, winner of the Golden Gate Award for Best Bay Area Short Documentary at the San Francisco International Film Festival, a chronicle of the violent death of 15-year-old Cecilia Rios. It was an official selection of the Sundance Film Festival and subsequently broadcast on the Sundance Channel. Her most recent feature, Wonder Women! The Untold Story of American Superheroines, traces the evolution and legacy of the comic book hero Wonder Woman as a way to reflect on society's anxieties about women's liberation. The film garnered numerous awards, premiered at the South by Southwest Film Festival in 2012 and was broadcast on the PBS series Independent Lens in 2013. Guevara-Flanagan received her M.F.A. in cinema from San Francisco State University.

Mothertime

Mothertime

Embracing the innovative technology of the Go-Pro camera, Mothertime is an essayistic portrait sweeping us into a corporeal experience in parenting. By using a very small, portable camera worn by mother and child, or left on any surface and turned on and off remotely, this video is a real-time, sensorial journey spanning the frenetic to mundane. Set primarily amidst scenes of domestic life in their first home, the camera captures the whimsical, ordinary, sometimes claustrophobic repeating loops of work and play in daily life. The audience is drawn into the raw and messy reality of the mother-daughter relationship as the markers of toddlerhood become the turning points of the film itself. Early mobility, language acquisition, and increasing independence play out as preparation for the move from one house to another. Like a feminist Leviathan, the video aims to disrupt expectations as the audience itself embodies the mother-child. Ultimately,Mothertime breaks down the distinction between artist and corporeal mother and invites the viewer to do the same. To see the labor of motherhood as neither romanticized nor banal. 

Location:
Upominki /// non-profit project space
Sint-Mariastraat 132B
3014SR Rotterdam

Getting there:
From Rotterdam Central Station

 

PLEASE RESERVE: info@mothervoices.org
Spaces are limited.

See here for more information on the Field Trips and their related inquiry.

 

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